jueves, 23 de abril de 2009

.para que sepas que te hago caso.

si en algún mometo recibes una llamada
de larga distancia sugiriendo que leas algo,
es recomendable que lo hagas. lo más pro-
bable es que valga la pena. que sea interes-
ante. o que, en le peor de los casos, la per-
sona que llamó sabe que los minutos cob-
rados no fueron malgastados.
mi humilde opinión.

[Poem (Some days I feel...)] de Frank O'Hara

Some days I feel that I exude a fine dust
like that attributed to Pylades in the famous
Cronica nera areopagitica when it was found

and it's because an excavationist has
reached the inner chamber of my heard
and rustled the paper bearing your name

I don't like that stranger sneezing over our love


[Why I Am Not a Painter]

I am not a painter, I am poet.
Why? I think I would rather be
a painter, but I am not. Well,

for instance, Mike Goldberg
is starting a painting. I drop in.
"Sit down and have a drink" he
says. I drink; we drink. I look
up. "You have SARDINES in it."
"Yes, it needed something there."
"Oh." I go and the days go by
and I drop in again. The painting
is going on, and I go, and the days
go by. I drop in. The painting is
finished. "Where's SARDINES?"
All that's left is just
letters. "It was too much," Mike says.

But me? One day I am thinking of
a color: orange. I write a line
about orange. Pretty soon it is a
whole page of words, not lines.
Then another page. There should be
so much more, not of orange, of
words, of how terrible orange is
and life. Days go by. It is even in
prose, I am a real poet. My poem
is finished and I haven't mentioned
orange yet. It's twelve poems, I call
it ORANGES. And one day in a gallery
I see Mike's painting, called SARDINES.

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